『ねじれた文字、ねじれた路』を読むと、うまくできた「ベタ」の力に勝るものはない、と感じさせられてしまうのだが、一方で『二流小説家』を読んでしまうと、「メタ」の居心地良さもある。そういうわけで、どうしても並べてみたくなってしまった次第
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